In Suspension explores the material intersection of photography and painting through a series of abstract, camera-less images created by blending cyanotype chemistry with acrylic inks and thickening agents. Embracing unpredictability as process and philosophy, the work rejects conventional image-making in favour of alchemical interaction where light, pigment, and chemistry collide to produce forms that cannot be replicated, only witnessed.

Rooted in the traditions of early photographic experimentation, each image is the residue of an event, a record not of what was seen, but of what occurred. The outcome is never predetermined. Gravity, time, absorption, and chemical reaction become collaborators, rendering each surface. These compositions live in the in-between: liquid becoming solid, gesture becoming trace, presence becoming stain. They ask us to slow down, to look for meaning not in depiction but in material, process, and chance.

In a world increasingly defined by precision and predictability, In Suspension celebrates the unknown; the blurred, the unstable and the beautifully unresolved.